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Padatik (1973) is a Bengali film directed by Mrinal Sen, his third in the Calcutta trilogy. The film tracks the Naxalite movement of the 70s, following a young revolutionary (Dhritiman Chatterjee) who escapes police custody and takes shelter in a luxury apartment owned by a young woman (Simi Garewal). With time, he starts questioning his own ideology.
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Ahaa Re (2019) is an Indian Bengali film directed by Ranjan Ghosh. Based on Bengal’s famous love for food, it is the story of a Dhaka Chef who falls in love with first the cooking, and then the person of a home caterer.
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Rajlokhi O Srikanto (2019) is a Bengali feature film directed by Pradipta Bhattacharyya is a cinematic adaptation of the Saratchandra Chattopadhyay’s four-part novel narrating the life of a drifter named Srikanto.
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Bancharamer Bagan is a 1980 Bengali film directed by Tapan Sinha. Adapted from a play ‘Sajano Bagan’, this Chaplinesque dark comedy tells the story of an old peasant who stands up to a tyrannical landlord to defend his land.
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Streer Potro, or the Wife’s Letter turned out to be another avant-garde piece of Cinema from Aneek Chaudhuri’s closet.
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Antarjali Jatra is a 1987 Bengali film directed by Gautam Ghose. Based on a novel named Mahayatra, by Kamal Kumar Majumdar, this film depicts the social ills like untouchability, polygamy and child marriage in the 19th century Bengal.
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Jubilee (2023) is a Hindi period drama web-series directed by Vikramaditya Motwane. Set in the early days of 1947, the film traces the path of Hindi Cinema from the days when talkies have become a norm and the Studio was the king.
CRUSHED WINGS is the first drama film of its kind on Female Genital Mutilation – also known as FGM – on the harsh reality of this brutal, increasingly widespread cultural ritual.
Akramana (The Conquest) is a 1979 Kannada film directed by Girish Kasaravalli. It had Vijaya Kashi, Vaishali Kasaravalli, Padmashree and Chandrakumar Jain in the lead roles. The film is a psychodrama revolving around its three protagonists, their struggle to break free from the limitations of family and tradition, and the ultimate acceptance of the realities of life.
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